{"id":178,"date":"2013-04-11T09:19:39","date_gmt":"2013-04-11T16:19:39","guid":{"rendered":"http:\/\/naraelle.net\/visionandviolence\/?p=178"},"modified":"2013-04-11T09:20:54","modified_gmt":"2013-04-11T16:20:54","slug":"week-3-response-theorizing-the-violence-of-the-photograph-semiotics-gender-and-psychoanalysis","status":"publish","type":"post","link":"https:\/\/naraelle.net\/visionandviolence\/2013\/04\/11\/week-3-response-theorizing-the-violence-of-the-photograph-semiotics-gender-and-psychoanalysis\/","title":{"rendered":"Week 3 Response: Theorizing the Violence of the Photograph: Semiotics, Gender and Psychoanalysis"},"content":{"rendered":"<p>This week you had a choice between several readings: excerpts from\u00a0Roland Barthes&#8217;s <em>Camera Lucida<\/em>; two essays from Barthes&#8217;s\u00a0<em>Image\/Music\/Text<\/em>; excerpts from John Berger&#8217;s\u00a0<em>Appearances<\/em>; two chapters from Berger&#8217;s\u00a0<em>Ways of Seeing<\/em>; or Laura Mulvey&#8217;s seminal essay &#8220;Visual Pleasure and Narrative Cinema.&#8221;<\/p>\r\n<p>These readings, which draw on semiotics (Barthes &amp; Berger), Marxist thought (Berger), and pyschoanalytic approaches to feminism (Berger &amp; Mulvey), will give us some useful concepts and terms for thinking about how photographs and audiences interact. The authors are all concerned with what images\u00a0<em>do<\/em>. How do they communicate to us? How do they affect how we see ourselves and our world? How do they influence how we see their subjects?<\/p>\r\n<p>For your response this week, think about which concept(s) from the reading you chose struck you as most important for understanding how images affect viewers.<\/p>","protected":false},"excerpt":{"rendered":"This week you had a choice between several readings: excerpts from\u00a0Roland Barthes&#8217;s Camera Lucida; two essays from Barthes&#8217;s\u00a0Image\/Music\/Text; excerpts from John Berger&#8217;s\u00a0Appearances; two chapters from Berger&#8217;s\u00a0Ways of Seeing; or Laura Mulvey&#8217;s seminal essay &#8220;Visual Pleasure and Narrative Cinema.&#8221; These readings, which draw on semiotics (Barthes &amp; Berger), Marxist thought (Berger), and pyschoanalytic approaches to feminism [&hellip;]","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"class_list":["post-178","post","type-post","status-publish","format-standard","hentry","category-responses"],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/naraelle.net\/visionandviolence\/wp-json\/wp\/v2\/posts\/178","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/naraelle.net\/visionandviolence\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/naraelle.net\/visionandviolence\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/naraelle.net\/visionandviolence\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/naraelle.net\/visionandviolence\/wp-json\/wp\/v2\/comments?post=178"}],"version-history":[{"count":4,"href":"https:\/\/naraelle.net\/visionandviolence\/wp-json\/wp\/v2\/posts\/178\/revisions"}],"predecessor-version":[{"id":181,"href":"https:\/\/naraelle.net\/visionandviolence\/wp-json\/wp\/v2\/posts\/178\/revisions\/181"}],"wp:attachment":[{"href":"https:\/\/naraelle.net\/visionandviolence\/wp-json\/wp\/v2\/media?parent=178"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/naraelle.net\/visionandviolence\/wp-json\/wp\/v2\/categories?post=178"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/naraelle.net\/visionandviolence\/wp-json\/wp\/v2\/tags?post=178"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}