A trip to Weimar & Dessau

This weekend we traveled to the beautiful city of Weimar, home of Goethe, Schillar, Liszt, and the birthplace of the Bauhaus! Our first stop on Friday afternoon was the Bauhaus museum – a small but unique little space with treasures from the first years of the school’s existence. Unfortunately the Bauhaus school was forced to leave Weimar after the Nazi party gained power in the state of Thüringen in 1924.

This opened a difficult chapter in Weimar’s history, and on Saturday we visited the nearby site of Buchenwald concentration camp.

The most striking thing one finds on entering the camp is the view: the camp is set in the middle of the forest (Buche means “beech” and Wald means “woods”), on a hill that allows a view across the valley. It’s difficult to believe that such horrible things could transpire amidst such natural beauty.

The original barracks are no longer extant – most are now marked with dark loose stones, but one has been rebuilt in its original form. One of the few other buildings still standing on the grounds is the crematorium, which was strangely located adjacent to a little petting zoo built for the children of the SS.

The Goethe Eiche – Goethe’s Oak – was an oak tree left standing in the camp by the SS. The prisoners named it in remembrance of Goethe’s trips to this same forest. It was damaged in an Allied bombing in 1944 and subsequently chopped down.

Buchenwald was also used as a Soviet internment camp after the war. It’s thought that about 7,ooo people died during this time in the camp’s history, and they were buried in unmarked graves in the woods surrounding the site. Because Thüringen became part of East Germany, the deaths were not acknowledged during the Cold War. The fall of the Berlin Wall finally allowed the victims’ families to speak up and publicly remember their relatives.

The Soviets left another highly visible legacy: a huge memorial to the camp’s liberation, on a hill overlooking Weimar. Buchenwald’s many layers of tragic history gave us much to consider …

The class was free to spend the rest of the day exploring the town. Chance and I took a stroll through the park and admired the “Roman House,” the amazing landscape and the first Bauhaus demonstration house, the Haus am Horn.

Today we left Weimar and headed back to Berlin, with a stop in Dessau to visit the most famous site of the Bauhaus, their school building, designed by Walter Gropius and built in 1925-6. We got a fantastic tour from a very knowledgeable and enthusiastic guide, and I think our students might almost be convinced that Modernism isn’t all horrible … (those of us who study architecture are already sold).

We couldn’t have asked for a more lovely day to see this truly seminal piece of architecture. This week we dive into the study of the specter that haunts both the history of the Bauhaus and Buchenwald: the Nazis and their influence on Berlin and Germany.

A day in Potsdam

Our day trip to Potsdam featured more of our favorite 19th-century designer, Karl Friedrich Schinkel. (You probably think we’re just obsessed with him, but believe us – he truly was great!) We began at the St. Nikolaikirche near the city center. It was begun according to plans by Schinkel, but finished by his student Ludwig Persius.

Berlin isn’t the only city that is rebuilding past monuments – here you can see that Potsdam is also busily rebuilding its royal palace (across from the Nikolaikirche), as a home for the state parliament. Meanwhile, East German buildings on the other side of the square are slated for demolition and replacement.

A trek across Potsdam and through Sanssouci park brought us to another Schinkel site, this one built for a very elite audience – the crown prince.

Schinkel built a tiny summer palace (really the size of a summer home) for the prince, who was a prolific artist and designer himself. Together, they fashioned what the prince referred to as “Siam” – a utopian space filled with rich symbolism, much of which is now lost on those of us without the proper classical education!

Schinkel also designed a house for the court gardener, which later became a billiards room, tea lounge and general garden leisure space for the prince and his friends.

We took some leisure time ourselves – to contemplate the connection between human constructive activity and that of nature, as Schinkel intended – before heading off on our own walks through the rest of Sanssouci park. Next week: Berlin around the turn of the century!

A walk through Schinkel’s Berlin with John Toews

On Wednesday John took us on a tour of Berlin’s historical district, known as Mitte. The focus of our walk was the city as it was in the 19th century, when its inhabitants included some of the leading intellectuals of the time, and the city styled itself as “Athens on the Spree.” We began at the Brandenburg Gate, designed by Carl Gotthard Langhans in the late 18th century as a kind of propylaea leading into Berlin. Karl Friedrich Schinkel had a hand in redesigning the staff held by the goddess of peace who crowns the monument.

We continued on to Schinkel’s Schauspielhaus (now called the Konzerthaus) on the Gendarmenmarkt, a somewhat early commission and an example of the architect’s turn toward neoclassicism.

On the Forum Fridericianum, a square built under Frederick the Great (whose monument you see on the right), there is now a memorial to the book burnings that took place there in the 1930s. The square is home to the former Royal Library, now housing Humboldt University’s law school. Interestingly, we learned that the book burnings were not carried out by Nazi officials, but rather by zealous student party members.

Next stop: the Neue Wache, a guardhouse designed by Schinkel along Unter den Linden. The building has been the site of numerous memorials over the course of the 20th century, including both East German and reunified German commemorations of World War II.

One of Schinkel’s masterpieces, not only of architecture but of urban planning, is the Altes Museum. Sitting across from the site of the royal Prussian palace (not currently extant), the building housed the first true modern museum in Europe. Schinkel designed it to integrate the viewer’s experience of art with that of the urban environment: he provided a viewing platform on the interior of the building, from which visitors could contemplate the royal gardens, palace, and the cityscape beyond.

The tour wrapped up near the site of Schinkel’s Bauakademie – his architectural and design academy. The building is also considered one of his masterworks, and was unfortunately torn down in the post-WWII period. This nylon-covered scaffolding has been here for years, but there’s no money to rebuild it. Its ghostly presence reminds us of the many memories and layers that reside amongst one another in Berlin’s cityscape.